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Image Credits: Courtesy of the artist.

Member's Gallery

Something from Nothing

Artist

Kathryn Killackey

Exhibition Dates:

October 4, 2022

- October 29, 2022

Opening Reception:

October 14, 2022 7:00 pm

Something from Nothing is a series of self-assigned drawing exercises, designed to break through artist’s block. They are based on the disproven scientific theory of spontaneous generation which hypothesized that nonliving matter can give rise to living organisms. Each exercise contrasts a detailed rendering with looser techniques such as graphite washes, rough lines, and paper scraps. Through the drawing process, the inert exercises quicken and become moments of transformation, reconciling the dichotomy of things within and out of our control. Disparate parts give rise to new wholes.

“My artwork addresses themes stemming from this background, including material culture, memory, transformation, and organic processes. I’m currently working on my Ontario Arts Council funded project ‘Neighbors’, a drawing series exploring nonhuman animals’ experience of urban spaces.” – Kathryn Killackey

Artist Biography:

Kathryn Killackey is freelance science illustrator. She has a B.A. in Anthropology from University of California, Berkeley, a M.A. in Field and Analytical Techniques in Archaeology from University College London, and a Certificate in Science Illustration from the internationally renowned program at California State University, Monterey Bay.

Her education has given her strong research skills which she is interested in applying to a range of scientific topics. She is skilled at integrating diverse scientific datasets, attracting viewers, and engaging imaginations. She specializes in archaeological illustration and has many years experience as an excavator and archaeobotanist. This experience informs and enriches her artifact illustrations, building reconstructions, and illustrations of past people. The visual anthropologist and heritage specialist Dr. Sara Perry writes Kathryn has “a unique insight into the nature of archaeology itself: its soul, its data, its practitioners, and its weaving of these components into disciplinary knowledge” (Perry 2014:204). She was Illustration Team Leader from 2007 to 2020 for the Çatalhöyük Research Project, and has also illustrated for projects in Bolivia, Peru, Mexico, United States, Greece, Jordan, and China.

Find more of her work online at killackeyillustration.com.

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